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The main body of the dress was made in ivory and white satin gazar, using UK fabrics which had been specially sourced by Sarah Burton, with a long, full skirt designed to echo an opening flower, with soft pleats which unfolded to the floor, forming a Victorian-style semi-bustle at the back, and finishing in a short train measuring just under three metres in length
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Poly/rayon/spandex blend
The full, floor-length skirt ensures a dramatic entrance, while the subtle sheen of the fabric adds a touch of refined elegance
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